Novelist

Maisam Najafizada

پروین  ·  سکندر

Stories of Afghanistan and the long roads of leaving — coming and returning.

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Maisam Najafizada
About

A scholar between two languages.

Maisam Najafizada is an Afghan-Canadian novelist and academic. His fiction works the seam between Afghanistan and its diasporas — the villages and the cities, the burials and the returns, the people who refuse to disappear.

Trained as a health systems researcher and an Associate Professor of Health Policy, he writes scholarship by day and prose by lamplight. His novels are shaped by lived presence — including a night at Kabul airport in August 2021 — and by a long apprenticeship to the literatures of both English and Dari. His prose is cinematic, bilingual in texture, attentive to moral complexity without authorial judgment.

He is currently at work on his second novel.

Toronto · Kabul English & Dari Two novels in 2026
The Novels

Two books. One country. Two acts of return.

Parwin
A Novel
Maisam Najafizada
Literary Fiction · Forthcoming

Parwin

She walked back into the village that buried her — through the men’s entrance of the mosque, carrying a newborn in her arms.

In a remote Afghan village, seventeen-year-old Parwin is condemned for a crime she did not commit — a wedding-night betrayal she does not yet understand. Exiled to the desert with two weeks’ provisions and no expectation of survival, she is taken in by a nomadic Jogi clan, and given the chance to become someone else: a midwife, a story, a returning ghost.

Years later she walks back into Habashi to deliver the baby of the woman who replaced her — and to face the village in full daylight, the Quran and her own life held open before them.

Parwin is a novel about survival, faith, and the women who refuse to disappear.

Sikandar
The Afghan Fixer
Maisam Najafizada
Literary Thriller · Forthcoming

Sikandar: The Afghan Fixer

Every man in this country drives a borrowed car. The trick is knowing whose name is on the registration.

Sikandar moves the cracked seams of post-occupation Afghanistan — between diplomats and warlords, journalists and elders, the truth and the price of telling it. He is a fixer: the man who finds the source, the safe house, the story behind the story.

From the alleys of Mazar-e-Sharif to a black Mercedes that knows too much, Sikandar is a thriller of moral terrain — bilingual in texture, cinematic in detail, and unwilling to flatter either the foreigners who arrived or the country they left behind.

Word from the desk

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Notes from the writing life — pre-order announcements, excerpts before they appear elsewhere, occasional dispatches from the Afghan literary world. No more than once a month. Never anything else.

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Letters welcome.

For interviews, festival invitations, foreign rights, translation queries, and reader notes. I read everything. I answer most.

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